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Saturday, May 5, 2012

Birds of Florida



I'm down in Florida preparing to lead an avian photography workshop. The workshop starts Sunday so I have been scouting and doing some of my own photography. It's no surprise that the photography has been prolific, like my previous trips. I've been able to ad several new species of birds to my portfolio. I could jump for joy!




May 6, 6pm - May 11, 11am
Florida Avian Photography Workshop (Titusville and St. Augustine, FL)

July 21, 6:30 - 9:30am

September 8, sunrise - sunset

October 20, sunrise - October 21, sunset

November 16, 1pm - November 18, 1pm



Thursday, April 26, 2012

Spring flowers

One of the most wonderful features of spring are the flowers. I absolutely love making images of flowers using the colors, shape, lines, etc. to create interpretations that delve in the abstract. Over the last 3 weeks I have been busy leading workshops and field sessions that introduce participants to this approach. A few years ago I realized it was rare for me to take a photograph of a single flower just by itself. I'm usually going in closer to abstract it or backing up to include multiple flowers. This just comes naturally to me. It's the way a see flowers.

The following 2 photographs are from last weekends Macro Boot Camp. The workshop was attended by a enthusiastic group of photographers that were open to different ideas that I presented to them. The first evening they were challenged with a breeze and the next morning with rain. The third session was held indoors in a more controlled environment. They had the opportunity to photograph a variety of flowers in bloom at the beautiful Meadowlark Botanical Gardens in Vienna, VA. The following two image were the only photographs that I made during the workshop.



The photograph above was created while demonstrating the use of shallow depth of field and picking a focal point for the image.



This image was created indoors while demonstrating how to control backgrounds, finding a composition and deciding where to focus.

You can view more flower photography at - http://www.nikhilbahl.com/portfolios/in_bloom/index.html

This weekend I have another flower photography field session that is sold out. It is the last of the spring series but I will be announcing a couple of more field sessions to photograph summer flowers. The  Kenilworth Aquatic Gardens Field Session  already has a few registrations.

Next week I'm off to Florida to photograph a variety of avian species. I'll be doing some of my own photography before leading a workshop in Titusville and St. Augustine.




May 6, 6pm - May 11, 11am
Florida Avian Photography Workshop (Titusville and St. Augustine, FL)

July 21, 6:30 - 9:30am
Kenilworth Aquatic Gardens Field Session (Washington D.C.)

September 8, sunrise - sunset
Digital Nature Photography One-day Workshop (Chincoteague Island, VA)

October 20, sunrise - October 21, sunset
Great Falls Digital Worflow workshop (Great Falls, VA)

November 16, 1pm - November 18, 1pm
Chincoteague Island Workshop (VA)



Wednesday, March 14, 2012

The Nikon D800 and new camera choices




Ever since the release of the Nikon D800 camera so much has been written about it. I have read many posts, reviews, criticisms and viewed sample images. The sales (pre-orders) for the camera have been unprecedented and it looks like it could become one of Nikons bestselling cameras. Why has this camera in so much demand?

If you are in the market for a new camera there is no shortage of options. Nikon also released their much awaited flagship camera (the D4) and Canon released the 1D X and the 5D III. The competition has surely heated up between these two companies. But let’s not get into which brand is better. Both brands offer high quality camera gear. If you own a Nikon or Canon camera you have probably invested in several lenses which makes switching brands impractical, even though a small percentage of people do.

While the Canon 1D X, 5D III and the Nikon D4 look like great cameras they are in many ways evolutionary. Better than their predecessors, with some more features but they do not offer something drastically different or improved. It could be debated that full HD video with HDMI output on the new Nikons is a big improvement. That may be so but I am discussing still photography features on these cameras. Enter the Nikon D800. First let me clarify, that the D800 is NOT an update of the D700 but a new category of camera. I am not making this up, Nikon has made this statement. I know what you are thinking…shouldn’t they have named the camera something else? Yes, but that would make it too easy for the user :) It is confusing but that’s what they called it. That means Nikon will likely release a mini D4 (D800 size body and the same sensor as D4) sometime in 2013. This is just a guess on my part Nikon hasn’t made any such claim. In the US, the D700 is staying in Nikon’s line-up as an entry level full frame (FX) body. Anyway, so why is the D800 a new category of camera? One word…RESOLUTION!

The D800 has a lot of the same features available on the D4 but what makes it stand out is the 36 megapixel resolution. Did anyone think the megapixel war was over? The reactions to the 36MP resolution have been diverse to say the least. Some say “that’s too much resolution” while others can’t wait to get their hands on the camera. Nikon has stated that the D800 is primarily for subjects like landscape, architecture, fashion, portrait, etc. It’s clearly a camera for photographers that need plenty of detail in their photos. Photographers who crop a lot might gravitate to this camera too. The extra resolution is more likely to be an advantage than a disadvantage. Creating a panoramic image like the one featured in this blog post would allow the photographer to still have plenty of resolution (after the crop) if a very large print was needed. A stitched panoramic image with moving subjects can be very tricky and sometimes impossible.

The larger resolution means more data, thus, a slower frame rate (4fps). That should not be a problem unless you photograph a lot of action (wildlife, sports, etc.). However, in DX crop mode (1.5x crop) we can still get a 16MP file and get a boost in the frame rate (6fps). That’s not too bad! The previous versions of Nikon’s full frame (FX) also had the DX crop (1.5x) but it was not very useful because the resolution drop would leave the photographer with a 5MP file. The D800 also has the options for a 1.2x crop and 5:4 format crop which ads a lot of versatility to the camera. All this thanks to the resolution. This is why “too much resolution” can be a reaction when the person hasn’t assessed the advantages of more resolution combined with the options mentioned above. Hard drives are cheap, so that shouldn’t be an excuse either.

That brings us to an important feature…high ISO performance. Nikon has stated that the ISO performance is equivalent to that of the D700. There are also plenty of sample images that you could check out on the internet. I can’t vouch for the samples but they definitely corroborate Nikon’s claims. I’ll be waiting for samples and reviews from more reliable or well know sources but I’ve been pretty impressed by the amount of detail visible even in the high ISO samples. The D800 starts shipping in a few days so we should be seeing plenty of sample images soon.

If the low light focusing and metering is anything like the D4 that will only enhance the appeal of the D800. I have only touched on the main features that make the D800 different and versatile. To review all the features please visit the manufacturer’s website. There are more reasons to buy the D800 than not. Although, you might want to wait just a little longer if you do photograph a lot of action. Nikon should announce the D400 by the end of March. If the rumors are correct we may be looking at a 24MP, 8fps camera. Yes, I am going to wait.


April 14, 6:30 - 9:30am
Flowers and Close-ups Field Session
Brookside Gardens (Wheaton, MD)

April 21, 12pm - April 22, 7pm
Macro Boot Camp
Meadowlark Botanical Gardens (Vienna, VA)

May 6, 6pm - May 11, 11am
Florida Avian Photography Workshop (Titusville and St. Augustine, FL)

July 21, 6:30 - 9:30am
Kenilworth Aquatic Gardens Field Session (Washington D.C.)

September 8, sunrise - sunset
Digital Nature Photography One-day Workshop (Chincoteague Island, VA)

October 20, sunrise - October 21, sunset
Great Falls Digital Worflow workshop (Great Falls, VA)

November 16, 1pm - November 18, 1pm
Chincoteague Island Workshop (VA)





Friday, January 27, 2012

Lava Field - Making of the image

I'm back to posting images after an extended break. During my time off I got married and enjoyed a honeymoon in Hawaii. It's a good thing I married a photographer as we both agreed that we "needed" to take our camera's on the honeymoon :) Experiencing the unique characteristics of the Hawaiian islands was very enjoyable. I will be posting several of my images from the trip in the coming weeks starting with one I made the second evening on the Big Island.


As you may know, Kilauea is an active volcano on the Big Island. On the western side of the island you can see almost nothing other than fields of dried lava. While driving around to find a good spot I realized making a wide angle photograph of this harsh landscape was going to be a challenge since I hadn't seen anything like this before. There was another challenge that I had not planned for - VOG. No, that is not misspelt. Vog is a form of air pollution that results from the mixing of sulfur dioxide and other gases emitted by a volcano react with oxygen and moisture in the presence of sunlight. What that meant was that not much sunlight was getting through to illuminate the landscape. In fact, we had to drive closer to the shore as there was barely any light inland.

The light was already fading even though it was 30 minutes before sunset. I finally decided to stop and venture out into the lava fields. Then there was the small matter of lava rock be treacherous to walk on. A fall on the rocks would definitely mean a visit to the hospital. Moving fast (and carefully) I looked for a interesting elements to include in the photograph. A glance behind me and I realized the sun was going to go behind a cloud bank. HURRY! While setting up I thought about how I was going to use the elements to balance the image. I fought my tripod as one of the legs would not move and I couldn't get low enough. A firm shove helped but didn't open the leg up as much as I would like. I continued regardless. Including the lone tree in my composition was essential to illustrate the starkness of the landscape. I lined the composition up so that some of the grasses would lead the eye towards the tree. The rock pile to the left of the tree helped with the balance of the image. And then the light started to fade. There was no more time to think about how to improve the composition. Click! Click! Click! And the light was gone.

As the sun went behind the cloud bank I decided to change lenses. Placing the tripod out of the way I started to move towards my backpack which was lying a few yards away. That's when it happened...a photographers worst fear...the falling tripod (with camera and lens attached). "Oh NO!" I screamed. SMASH! When I took my second step I moved the rocks around one of the tripod legs which caused the tripod to keel over. It didn't help that I never got all the tripod legs set at the same height. I looked at Angelique; clearly she shared my horror. We both stood there with our hands covering our mouths. It seemed like it was a few minutes before I decided to make the dreaded assessment of damages. The lens had gone front first into the lava rock. The polarizer was destroyed. Aeyayah! I feared the worst for the glass on the front of my lens while slowly taking the polarizer off. Hmmm! I wiped the "glass dust" off the front of the lens. Not a scratch. Examined the camera. Not a scratch. It was a honeymoon miracle! Only my polarizer was ruined. A couple of test shots and all looked fine.


We decided to call it a day and headed back to the car slowly and carefully. My camera and lens were fine and so was I.



2012 workshop schedule
 (JUST POSTED!)

April 14, 6:30 - 9:30am
Flowers & Close-ups Field Session
Brookside Gardens (Wheaton, MD)

April 21, 12pm - April 22, 7pm
Macro Boot Camp
Meadowlark Botanical Gardens (Vienna, VA)

May 6, 6pm - May 11, 11am
Florida Avian Photography Workshop (Titusville & St. Augustine, FL)

July 21, 6:30 - 9:30am
Kenilworth Aquatic Gardens Field Session (Washington D.C.)

September 8, sunrise - sunset
Digital Nature Photography One-day Workshop (Chincoteague Island, VA)

October 20, sunrise - October 21, sunset
Great Falls Digital Worflow workshop (Great Falls, VA)

November 16, 1pm - November 18, 1pm
Chincoteague Island Workshop (VA)