2011 West Virginia fall workshop report

Every outdoor/nature photography workshop leader stresses about the conditions that the group will be presented with during the workshop. In the end, we take what we get and make the best of it. Although, it's always nice to have good conditions to start with. The last 2 years I have lead a fall workshop in West Virginia there has been nothing but clear skies. While it is nice weather to be out and about in, it doesn't make for the most interesting landscape photo opportunities. Last year was tough but this year was better. Even though we had clear skies yet again the first 2 mornings we were treated to some spectacular foggy conditions. I really enjoyed sharing my thoughts and ideas on how to take advantage of foggy conditions with the group. Since there were only 4 workshop participants it gave me the opportunity to make sure that everyone was making lots of quality images.

In previous workshop reports I have shared some of my images. This time I decided to show you images the workshop participants came away with and share some of their thoughts on the workshop itself. I hope you enjoy their images.

Thanks to Judy, Gale, Ni and Dick for making it a successful workshop.

Judy MacArthur's comments about her workshop experience:

I can't recommend Nikhil's workshop highly enough.  He is low key and knowledgeable and articulate in his explanations...quick thinking when conditions change and generous with his expertise...always making suggestions, constantly circulating among the group, encouraging us to try unfamiliar techniques and offering help.  The experience far exceeded my expectations, which were high to begin with!

Gale Smith's comments about his workshop experience:

The trip to West Virginia, Blackwater Falls Park and Dolly Sods could not have been better; great small group, excellent weather with wonderful colors and magical early morning fog, and Nikhil who seemed to know where and when to be for the best images.  Nikhil is not just a superb nature photographer but he is willing to share what he knows and taking time with each of us to help us see and capture images that for me are some of my very best photographs. In fact, some of my best images in over 30 years of photography came from the WV workshop; Nikhil is excellent in combining both technical and creative ideas to learn from. He sees and communicates to us not just good composition and what he called "organic" images, but finds elements that balance photographs. 

Wang Ni's comments about her workshop experience:

You have left me a good impression during this trip, which is unforgetable in my life. I do appreciate your professional instruction. 

Dick Pelroy's comments about his workshop experience:

• Great selection of venues.
• Excellent field instruction (superior).
• Invaluable information of time of day and location for my photography to this area in future personal trips.
• Overall, probably the best photography workshop I’ve attended (14 and counting).

2012 workshop schedule (JUST POSTED!)

April 14, 6:30 - 9:30am
Flowers & Close-ups Field Session
Brookside Gardens (Wheaton, MD)

April 21, 12pm - April 22, 7pm
Macro Boot Camp
Meadowlark Botanical Gardens (Vienna, VA)

May 6, 6pm - May 11, 11am
Florida Avian Photography Workshop (Titusville & St. Augustine, FL)

July 21, 6:30 - 9:30am
Kenilworth Aquatic Gardens Field Session (Washington D.C.)

September 8, sunrise - sunset
Digital Nature Photography One-day Workshop (Chincoteague Island, VA)

October 20, sunrise - October 21, sunset
Great Falls Digital Worflow workshop (Great Falls, VA)

November 16, 1pm - November 18, 1pm
Chincoteague Island Workshop (VA)

Chincoteague Workshop Report

Last week I lead 4 day workshop at Chincoteague Island. We had had great weather after an overcast evening shoot the first day. Even though it was overcast the group enjoyed getting within touching distance of the Chincoteague ponies. A couple of quick passing showers later we decided to go for a group dinner. After that every field trip we made over the next 3 days was filled with good opportunities. 

Great Egret Landing

This was one of those opportunities. Generally Great Egrets use a stealthy approach to get to their prey. However, this egret really performed for us. It pranced and jumped around for almost 45 minutes. I made sure everyone photographed it for a little while. Some moved to photograph other birds. That's when I pulled out my camera for about 5 minutes and let off a few bursts to capture the action. I was quite pleased to get this image from a 5 minute shoot. Several of the participants came away with gorgeous photos that I saw in the feedback sessions.

Lower Antelope Canyon

One of the hardest things to do in photography is to come away with an unusual photograph from locations that have been photographed to death. While the unusual photograph may be hard to find, with a little effort and creativity you can try and come away with something that is (at least) different.

Lower Antelope Canyon in Arizona is a classic example. We see so many images from there. The one thing I have found people consistently do, is oversaturate their images from this location. Don't get me wrong, that may be their interpretation and that is the way they choose to present their artwork. I respect that. The point I am making is this gives the wrong impression to people who have not visited the location. The colors are pretty amazing and depending on the angle of the sun and how bright it is, the reflected light in the canyon can be unbelievable.

Back from Arizona/Utah

Just got back from a fruitful trip to Arizona and Utah. I haven't been to another state that has such remarkable texture and feel. And there are parks round every corner! It's an absolute treat for a photographer. It's no wonder that these states attract people from far and wide. This was supposed to be a scouting tour but one of the two clients was admitted to hospital and they had to cancel. That left me with a couple of friends to adventure with. And adventure we did.

The last time I was in Utah everyday was sunny until rain arrived the last day. This time it was the opposite. Heavy cloud cover and rain, then clear skies the last day. As nature photographers we have to adapt to the shooting conditions and try to get to the right place at the right time. Not easy, but we can try :)

Dixie National Forest, Utah

At higher elevations it was cold enough for some snow.

Shoreline Revelation - a photo essay

This photo essay has photography from the eastern shore of Maryland and Virginia. Long exposures, textures, sea shells, wildlife and more. Best viewed in the 480p or 720p resolution. Enjoy!

February Featured Photo on NikhilBahl.com

Rhythm and Light (_NIK0207)

Walking along the beach on a lovely morning, I came across this unusual pattern in the sand. It seemed like there was potential, but the pattern by itself was not interesting enough to make a strong photo. I chose to include the seaweed and setup the composition to create diagonal movement. Even then, the photo did not feel complete; the water had to be included. As I decided how much space the water should occupy in the picture frame, the seaweed got swept away by the next wave. I quickly found more seaweed. Now I knew I had to act fast and time the release of the shutter perfectly. Serendipitously, the next wave stopped perfectly at the top of the frame to give me the pre-visualized photo.

Having only a little bit of water in the composition allows the photo to be about the pattern in the sand. The seaweed acts as a focal point and the foamy water is a supporting element that adds interest and enhances the movement created in the photograph. Let’s not forget, the early morning light helps bring out the texture in the sand and adds the warm hue.

None of these elements were strong enough to make a photo by themselves, but brought together in harmony they make an effective photograph.

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